Please enable JavaScript.fp-color-playopacity:0.65;.controlbuttonfill:#fff;play-sharp-fillEnjoy their connection as he takes her while the boat is rocking and applaud our director for catching this action so beautifully! It is not easy shooting on a boat and this is for sure a day to remember!
Imagine cruising the ocean in a sleek motor yacht with an even sleeker blonde as your passenger. This is actually Baby's first sex scene EVER. The one with Tyler "Young Passion" was filmed the day after this one. Here you can watch as Logan pleases her with his oral skills and she does the same for him. Until the ocean, the boat and their young bodies ignite some real excitement and passion. Enjoy their connection as he takes her while the boat is rocking and applaud our director for catching this action so beautifully! It is not easy shooting on a boat and this is for sure a day to remember! Experience the HD video now and you will have the photos soon too. We have been rushing to get the new content up, so photos are still being retouched ;-) P.S. If anyone noticed: Baby's model page had said her age as 19 before. But then she emailed me and told me since she is only 18 she doesn't want to look older than she is, so if I could please list her real age. She is exactly 18 years and 6 months ;-)
x art a day to remember
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Are you unsure about how to build an ofrenda for the upcoming Days of the Dead? Ofrendas are shrines built to remember and honor people who have died. They are a way to keep the memory of that person alive through the annual tradition of remembering what they loved to do, eat, drink and look like. The idea is to build a shrine that will entice the spirits to return home to visit on the special days of November 1 and 2.
Building vivid mental pictures is one of the most effective techniques for remembering anything, not least what we read. When you come across an important passage or concept, pause and visualize it. Make the picture as salient and distinctive as possible.
As a child, I fell in love with Yosemite and nature, and I remember clearly, always wanting to draw and paint the world around me. When I was 8 years old, my aunt gave me some soft pastels and I began making pastel drawings of trout from photographs and illustrations in books. During summers, I drew trout on a regular basis and eventually by age 12, I could accurately draw most North American trout species from memory! Then I began creating more elaborate pastel paintings of Yosemite. When I was ten, my father gave me his oils from college and I began learning how to paint in oils. My first painting was a landscape of Nevada Falls copied from a photograph my father took in his late teens. I remember drawing almost every day and taking every art course I could manage throughout my school years. My sixth-grade art teacher had a strong impact on me, because she told my parents that I was one of the most talented students she had ever seen and one of the few she would recommend to consider a career as an artist. Everyone in my life was strongly supportive of my artistic development.
There are all things preserved distinctly and under general heads, each having entered by its own avenue: as light, and all colours and forms of bodies by the eyes; by the ears all sorts of sounds; all smells by the avenue of the nostrils; all tastes by the mouth; and by the sensation of the whole body, what is hard or soft; hot or cold; or rugged; heavy or light; either outwardly or inwardly to the body. All these doth that great harbour of the memory receive in her numberless secret and inexpressible windings, to be forthcoming, and brought out at need; each entering in by his own gate, and there laid up. Nor yet do the things themselves enter in; only the images of the things perceived are there in readiness, for thought to recall. Which images, how they are formed, who can tell, though it doth plainly appear by which sense each hath been brought in and stored up? For even while I dwell in darkness and silence, in my memory I can produce colours, if I will, and discern betwixt black and white, and what others I will: nor yet do sounds break in and disturb the image drawn in by my eyes, which I am reviewing, though they also are there, lying dormant, and laid up, as it were, apart. For these too I call for, and forthwith they appear. And though my tongue be still, and my throat mute, so can I sing as much as I will; nor do those images of colours, which notwithstanding be there, intrude themselves and interrupt, when another store is called for, which flowed in by the ears. So the other things, piled in and up by the other senses, I recall at my pleasure. Yea, I discern the breath of lilies from violets, though smelling nothing; and I prefer honey to sweet wine, smooth before rugged, at the time neither tasting nor handling, but remembering only.
Yet not these alone does the unmeasurable capacity of my memory retain. Here also is all, learnt of the liberal sciences and as yet unforgotten; removed as it were to some inner place, which is yet no place: nor are they the images thereof, but the things themselves. For, what is literature, what the art of disputing, how many kinds of questions there be, whatsoever of these I know, in such manner exists in my memory, as that I have not taken in the image, and left out the thing, or that it should have sounded and passed away like a voice fixed on the ear by that impress, whereby it might be recalled, as if it sounded, when it no longer sounded; or as a smell while it passes and evaporates into air affects the sense of smell, whence it conveys into the memory an image of itself, which remembering, we renew, or as meat, which verily in the belly hath now no taste, and yet in the memory still in a manner tasteth; or as any thing which the body by touch perceiveth, and which when removed from us, the memory still conceives. For those things are not transmitted into the memory, but their images only are with an admirable swiftness caught up, and stored as it were in wondrous cabinets, and thence wonderfully by the act of remembering, brought forth.
All these things I remember, and how I learnt them I remember. Many things also most falsely objected against them have I heard, and remember; which though they be false, yet is it not false that I remember them; and I remember also that I have discerned betwixt those truths and these falsehoods objected to them. And I perceive that the present discerning of these things is different from remembering that I oftentimes discerned them, when I often thought upon them. I both remember then to have often understood these things; and what I now discern and understand, I lay up in my memory, that hereafter I may remember that I understand it now. So then I remember also to have remembered; as if hereafter I shall call to remembrance, that I have now been able to remember these things, by the force of memory shall I call it to remembrance.
But, behold, out of my memory I bring it, when I say there be four perturbations of the mind, desire, joy, fear, sorrow; and whatsoever I can dispute thereon, by dividing each into its subordinate species, and by defining it, in my memory find I what to say, and thence do I bring it: yet am I not disturbed by any of these perturbations, when by calling them to mind, I remember them; yea, and before I recalled and brought them back, they were there; and therefore could they, by recollection, thence be brought. Perchance, then, as meat is by chewing the cud brought up out of the belly, so by recollection these out of the memory. Why then does not the disputer, thus recollecting, taste in the mouth of his musing the sweetness of joy, or the bitterness of sorrow? Is the comparison unlike in this, because not in all respects like? For who would willingly speak thereof, if so oft as we name grief or fear, we should be compelled to be sad or fearful? And yet could we not speak of them, did we not find in our memory, not only the sounds of the names according to the images impressed by the senses of the body, but notions of the very things themselves which we never received by any avenue of the body, but which the mind itself perceiving by the experience of its own passions, committed to the memory, or the memory of itself retained, without being committed unto it.
What, when I name forgetfulness, and withal recognise what I name? whence should I recognise it, did I not remember it? I speak not of the sound of the name, but of the thing which it signifies: which if I had forgotten, I could not recognise what that sound signifies. When then I remember memory, memory itself is, through itself, present with itself: but when I remember forgetfulness, there are present both memory and forgetfulness; memory whereby I remember, forgetfulness which I remember. But what is forgetfulness, but the privation of memory? How then is it present that I remember it, since when present I cannot remember? But if what we remember we hold it in memory, yet, unless we did remember forgetfulness, we could never at the hearing of the name recognise the thing thereby signified, then forgetfulness is retained by memory. Present then it is, that we forget not, and being so, we forget. It is to be understood from this that forgetfulness when we remember it, is not present to the memory by itself but by its image: because if it were present by itself, it would not cause us to remember, but to forget. Who now shall search out this? who shall comprehend how it is?
But is it so, as one remembers Carthage who hath seen it? No. For a happy life is not seen with the eye, because it is not a body. As we remember numbers then? No. For these, he that hath in his knowledge, seeks not further to attain unto; but a happy life we have in our knowledge, and therefore love it, and yet still desire to attain it, that we may be happy. As we remember eloquence then? No. For although upon hearing this name also, some call to mind the thing, who still are not yet eloquent, and many who desire to be so, whence it appears that it is in their knowledge; yet these have by their bodily senses observed others to be eloquent, and been delighted, and desire to be the like (though indeed they would not be delighted but for some inward knowledge thereof, nor wish to be the like, unless they were thus delighted); whereas a happy life, we do by no bodily sense experience in others. As then we remember joy? Perchance; for my joy I remember, even when sad, as a happy life, when unhappy; nor did I ever with bodily sense see, hear, smell, taste, or touch my joy; but I experienced it in my mind, when I rejoiced; and the knowledge of it clave to my memory, so that I can recall it with disgust sometimes, at others with longing, according to the nature of the things, wherein I remember myself to have joyed. For even from foul things have I been immersed in a sort of joy; which now recalling, I detest and execrate; otherwhiles in good and honest things, which I recall with longing, although perchance no longer present; and therefore with sadness I recall former joy. 2ff7e9595c
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