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Live production and more specifically In Camera VFX often require small changes to a common level on a scenario by scenario basis. This creates a data wrangling challenge which slows down the speed of stage operations. With Level Snapshots, you can record the current state of the level in a snapshot without forcing a permanent change into your project or source control. Later, you can choose what to restore from that snapshot to update the level. This tool is especially useful for stage operators on an In Camera VFX shoot because you can accommodate complex restore requests from filmmakers, such as "Go back to Take 6 and move all the trees, except for these five.". It is also useful for artists who might want to create a variety of scenarios to show for creative approvals.
You can now control which nodes in a Multi-User session contribute to a Take Recorder capture. This means you can set nodes as recording nodes that contain additional simulated or animated data that is not visible to the Multi-User main operator.
In addition to the Start Record button in the Take Recorder tool, we have now also added the button to Sequencer's playback controls. Sequencer's record button allows recording of any selected Actor into the current sequence, and does not require the Take Recorder window to be open.
Users can now use new controls in the Take recorder to specify who is recording and who provides the source data to nodes connected in a Multi-User session. This feature is only enabled when connected to a Multi-User session.
Performance improvements are now in place for handling large files in Multi-User Editing. This means users can now sync light bakes, take recordings, and other heavy package data efficiently. These files now transfer in seconds on local networks.
If you use the Live Link face iOS app to record facial capture on the device only (not connected to Unreal Engine and recorded in Take Recorder), you can now import the (backup) recording once extracted. The device stores a .csv file with the raw timecode and blendshape data. Once imported, the result is a level sequence with a Live Link track, equivalent to what you would have achieved by recording the live stream in Take Recorder.
The Pose Search plugin also comes packaged with a custom integration of the Rewind Debugger you can use to record and analyze the Motion Matching pose selection process, to see which poses were selected, which poses were not selected, and why. You can then use this information to adjust and fine-tune the selection process to fit any project's needs.
Additionally, the Rewind Debugger now features Pose Watch integration, that you can enable in the characters Animation Blueprint to observe the output pose of any blueprint node within the recorded segment of gameplay.
We added a new run-time Damage Watcher to the Fracture Mode in 5.1. You can enable the Enable Runtime Data Collection option under the General Settings and click Simulate to record the damage results.
To capture a memory trace, you must start the session from the command line. To start recording, run the editor or the game from the command line with the additional argument trace=default,memory. The reason you need to start with these arguments from the command line is that trace information needs to be tracked as soon as the engine initializes.
Cooking Insights provides a profiling method to gather and display information about the way packages are cooked. To record a cook session, start from the command line using the argument -trace=default,cook.
Trace.SnapshotFile : This writes a snapshot of the current in-memory trace buffer to a file. If you are already tracing actively, it does not interrupt the active trace, but instead records a second trace file in parallel just for this snapshot.
Trace.Bookmark : This emits a Bookmark event with the given string name. Bookmarks appear in Timing Insights as a vertical line at the time the Bookmark was recorded. Previously this was available through the API only as TRACE_BOOKMARK().
Added Start at Current Timecode to Take Recorder. If enabled, this makes Take Recorder start recording at the current sequence time as opposed to restarting at the playback start time.
Added a new experimental Cinematic Prestreaming plugin that you can use to record certain types of asynchronous streaming requests, such as Nanite and Virtual Textures. You can then playback these streaming requests in a Level Sequence after the initial scene render, but in advance of when the scene is visible to the player.
Option 1: Moist-curing rooms are enclosed, with water atomizing devices to continuously maintain condensed moisture on the concrete samples. Control panels are available that combine atomizing methods and temperature control to ensure compliance with the specifications. Measuring and recording humidity levels using humidity meters is optional. C511/M 201 states that all specimens must look and feel moist. Moist curing rooms offer the most efficient use of floor space for large numbers of samples using rack or pallet storage.
Her activities went down, she slowly stopped responding, stopped crying, her lips turned red, got cracked and started bleeding. Her body started turning blue. I did offer her a bottle then , but she had passed the stage of accepting any feed. She was just breathing. No responses at all, even if I slapped or pinched her. My husband was away and I panicked.
Back to my story, so end of the 2nd day still struggling and he was crying. I requested a small bottle to stop him straving while still trying the breast. Without help from the partner I have decided to go home in the next morning. He lost 300gms so far and not gaining a bit. At home 3rd day his skin got dried and red patches were everywhere. My husband thought its because I was turning off the A/C so he felt hot. So he was trying A/c on. Now I know he was dehydrated at that time. His beautiful skin was cracked and peeling off with very angry red marks.
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An Australian company is working from scratch to build the biggest, baddest electric powertrain ever hooked up to a set of wheels. Top EV Racing is aiming to violently end the dominance of fire-breathing Top Fuel cars at the drag strip, and smash acceleration and landspeed world records to boot.
Electric drag racing is progressing fairly well, but it's nowhere near what the Top Fuel guys are doing. According to the National Electric Drag Racing Association, the current quarter-mile record for an electric dragster is 7.274 seconds @ 185 mph, set by the Swamp Rat team in Florida three years ago. That's crazy fast to you and me, but the 2.7 seconds between that and the Top Fuel record is an ocean of time in drag racing.
And while acceleration times are the clear focus here, the team is also aiming at tarmac-based land speed records as well, with a stated target of half the speed of sound, or about 612 km/h (380 mph), down an airplane runway. These are wildly dangerous endeavors, accelerating terrifying amounts of electric energy to speeds that test the outer limits of control.
So we're going to be building the car up slowly. But we hope we can set a world record on our first day out, and then we've got another several to achieve after that as we continue to step the car up and learn the car.
We're hoping to achieve drag racing records, and also land speed. On the drag strip, we want the Elapsed Time and Top Speed records for both the quarter and eighth mile. We want the Guinness World Records for fastest accelerating electric vehicle, and fastest accelerating wheel-driven vehicle outright. And we want land speed elapsed time and top speed records as well.
I've worked a lot in high-end competition-level car audio for about 20 years of my life. I've set seven world and Australian records. Without sounding too arrogant, every competition we'd go to, we'd win. I got about 90 trophies in that time, plus those of my clients. It's a bit lonely at the top. It can be quite unsatisfying not to have someone next to you that you're really edging to beat. That lack of competition.
The same thing will happen in this sport. If it's just us out there setting speed records and whatnot, well, that'll be awesome for the first year or two. But as much as we think we're addressing all the challenges and all the hurdles and going fast, there's other people with different minds that can do things differently.
Alfred Matthew "Weird Al" Yankovic (/ˈjæŋkəvɪk/ YANG-kə-vik;[2] born October 23, 1959) is an American singer, musician, songwriter, record producer, actor and author. He is best known for creating comedy songs that make light of pop culture and often parody specific songs by contemporary musicians. He also performs original songs that are style pastiches of the work of other acts, as well as polka medleys of several popular songs, most of which feature his trademark accordion.
Since having a comedy song aired on The Dr. Demento Radio Show in 1976 at age 16, Yankovic has sold more than 12 million albums (as of 2015[update]),[3][4][needs update] recorded more than 150 parodies and original songs,[5][6][7] and performed more than 1,000 live shows.[8] His work has earned him five Grammy Awards and a further 11 nominations, four gold records, and six platinum records in the U.S. His first top ten Billboard album (Straight Outta Lynwood) and single ("White & Nerdy") were both released in 2006, nearly three decades into his career. His latest album, Mandatory Fun (2014), became his first number-one album during its debut week. 2ff7e9595c
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